Project

# Title Team Members TA Documents Sponsor
8 Isolated Guitar Pedal Power Supply
Abigail Kokal
Connie Yun
Dearborn Plys
Jialiang Zhang design_document1.pdf
final_paper1.pdf
proposal1.pdf
proposal2.pdf
video
# **Isolated guitar pedal power supply**

Team members:
- Connie Yun (csyun2)
- Abigail Kokal (arkokal2)
- Dearborn Plys (dplys2)


**Problem**

Guitar players and other instrumentalists often use audio effect boxes, usually referred to just as guitar pedals. These pedals require supply generally at 9V, 12V, or 15V with current ratings usually from 100mA up to 1000mA (in the case of some digital effects units). "Clean power" is the major requirement in these supplies, this means decoupling from AC sources and minimization of noise. Supplies for these pedals also need to have many outputs, as many pedal boards (collections of pedals used in series for one audio signal), have a number of individual units all requiring their own power. Most pedal power supplies on the market are quite expensive, don't always supply the exact combination of required output voltages, and don't have options to vary the output voltages for stylistic purposes. Stylistic variation in supply voltage refers to underpowering, and is used often by effects units to vary normal operation of external effect units. This power “sag” function mimics supply from a dying 9V battery.


**Solution**

The isolated power supply would plug into the wall, which would mean that we would have to work with AC/DC conversion, as well as output 9, 12 and 15 V on different ports, which would involve DC/DC conversion. The microcontroller would be used to control switches in the DC/DC converter, and while this kind of item exists online, we would want to make it more precise in terms of ripple, and with the option of purposeful undersupplying voltage for stylistic purposes. Isolation in this case would involve both isolation from noise, which is where ripple precision comes in, and of power, where we would potentially implement a transformer. While we also have the idea to make this have the option of being battery powered as well, this would likely be more of a stretch goal than anything else.

# **Solution Components**

**Subsystem 1**
AC/DC converter. The AC/DC converter would be based on a bridge rectifier, adjusting the overall schematic as needed. This would include a transformer, diodes, and then some filtering components. This would bring us from an outlet to the DC power that we work with for the power output. This would go from the AC voltage of 120V from the wall down to 3V.

**Subsystem 2**
Isolated DC/DC converter. The goal is to essentially create two three-winding transformers, with the outputs equating to as close to 9V & 12V, and 15V & 18V as possible. In this case we will be stepping up from the 3V output from the AC/DC converter. The schematic would be based on a flyback converter, with necessary changes added as they come up. The microcontroller in this subsystem would be used for controlling the switches needed to run the converter.
For this subsystem we would likely only need items that can be found in the electronics shop available to the students, such as copper wire, a core, capacitors, resistors, diodes, inductors, as well as switches. Further specifications will be calculated once the shop is visited and available stock is observed. Proposed switch: IRFP450

**Subsystem 3**
Undersupply of voltage. Mimics a dying 9V battery for stylistic purposes. This would be an option for the 9V output, where we can use the microcontroller to control the level of undersupplying happening. We can implement some sort of nob or slider to control the corresponding voltage level. This would likely involve a transformer in combination with a controlled variable resistor.

**(Stretch Goal) Subsystem 4**
This is something that we would look into further, if we think we have time for it down the line, but essentially the idea would be that you could disconnect the AC/DC converter from the rest of the system and attach the battery.


# **Criterion For Success**
- Output ports supply at DC with under 5% output ripple
- Undersupply “sag” output responds to user choice between 2V and 9V
- Have 4 working ports for output voltage at 9V (with sag option), 12V, 15V, 18V
- Stretch goal: Option to have it run on battery [optional]

Musical Hand

Ramsey Foote, Thomas MacDonald, Michelle Zhang

Musical Hand

Featured Project

# Musical Hand

Team Members:

- Ramesey Foote (rgfoote2)

- Michelle Zhang (mz32)

- Thomas MacDonald (tcm5)

# Problem

Musical instruments come in all shapes and sizes; however, transporting instruments often involves bulky and heavy cases. Not only can transporting instruments be a hassle, but the initial purchase and maintenance of an instrument can be very expensive. We would like to solve this problem by creating an instrument that is lightweight, compact, and low maintenance.

# Solution

Our project involves a wearable system on the chest and both hands. The left hand will be used to dictate the pitches of three “strings” using relative angles between the palm and fingers. For example, from a flat horizontal hand a small dip in one finger is associated with a low frequency. A greater dip corresponds to a higher frequency pitch. The right hand will modulate the generated sound by adding effects such as vibrato through lateral motion. Finally, the brains of the project will be the central unit, a wearable, chest-mounted subsystem responsible for the audio synthesis and output.

Our solution would provide an instrument that is lightweight and easy to transport. We will be utilizing accelerometers instead of flex sensors to limit wear and tear, which would solve the issue of expensive maintenance typical of more physical synthesis methods.

# Solution Components

The overall solution has three subsystems; a right hand, left hand, and a central unit.

## Subsystem 1 - Left Hand

The left hand subsystem will use four digital accelerometers total: three on the fingers and one on the back of the hand. These sensors will be used to determine the angle between the back of the hand and each of the three fingers (ring, middle, and index) being used for synthesis. Each angle will correspond to an analog signal for pitch with a low frequency corresponding to a completely straight finger and a high frequency corresponding to a completely bent finger. To filter out AC noise, bypass capacitors and possibly resistors will be used when sending the accelerometer signals to the central unit.

## Subsystem 2 - Right Hand

The right subsystem will use one accelerometer to determine the broad movement of the hand. This information will be used to determine how much of a vibrato there is in the output sound. This system will need the accelerometer, bypass capacitors (.1uF), and possibly some resistors if they are needed for the communication scheme used (SPI or I2C).

## Subsystem 3 - Central Unit

The central subsystem utilizes data from the gloves to determine and generate the correct audio. To do this, two microcontrollers from the STM32F3 series will be used. The left and right hand subunits will be connected to the central unit through cabling. One of the microcontrollers will receive information from the sensors on both gloves and use it to calculate the correct frequencies. The other microcontroller uses these frequencies to generate the actual audio. The use of two separate microcontrollers allows for the logic to take longer, accounting for slower human response time, while meeting needs for quicker audio updates. At the output, there will be a second order multiple feedback filter. This will get rid of any switching noise while also allowing us to set a gain. This will be done using an LM358 Op amp along with the necessary resistors and capacitors to generate the filter and gain. This output will then go to an audio jack that will go to a speaker. In addition, bypass capacitors, pull up resistors, pull down resistors, and the necessary programming circuits will be implemented on this board.

# Criterion For Success

The minimum viable product will consist of two wearable gloves and a central unit that will be connected together via cords. The user will be able to adjust three separate notes that will be played simultaneously using the left hand, and will be able to apply a sound effect using the right hand. The output audio should be able to be heard audibly from a speaker.

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